Juan Berná
Works
[38]Mar de Invierno
Impromtu
(2019)
4’
piano
Arrangement : Soloist instrument
Audio sample : (10819 kb.) download
Score sample : (365 kb.) download
[37]A Illa das Lembranzas
para cuarteto con oboe
(2019)
ob., vl., vla., vlc.
Arrangement : Quartet
Score sample : (1199 kb.) download
[36]A Illa das Lembranzas
para quinteto con oboe
(2019)
ob., vl., vla., vlc., cb.
Arrangement : Quintet
Score sample : (1417 kb.) download
[35]O Faro e a Lúa
Obertura para orquesta
(2019)
4’
10”
orchestra
Arrangement : Symphony orchestra
[34]O Faro e a Lúa
(2018)
3’
55”
Movements : Brumoso / Furioso / Misterioso / Brumoso
Arrangement : Mixed choir
Editorial : Grupo Beroly
Premiere : 2018-12-28, Fundación Abanca, A Coruña, Coro Ludus Tonalis, Rupert Twine (conductor)
Comments : Second Prize and Beroly Prize of the I International Composition Competition “Xogos Tonais“, 2018.
O Faro e a Lúa for mixed choir, with lyric by Yolanda Castaño and music by Juan Pérez Berná, is inspired by a painting by Urbano Lugrís. The poetry of Yolanda Castaño and the music of Juan Pérez Berná recreate the nocturnal dreamlike atmosphere of the pictorial vision of Lugrís.
The Lighthouse of A Coruña, the Tower of Hercules, wants to reach its beloved Moon with its light. Its sparkles are reflected on the surface of the sea, and the Atlantic, jealous, throws its waves with force to reach the blue kiss in which the two luminous lovers merge each night. But his efforts are unsuccessful and, resigned, he assists the romance of the Lighthouse and the Moon.
This idea is developed musically in O Faro e a Lúa, through an ABCA“ reexpositive structure. The first section (Brumoso) is elaborated contrapuntistically from the theme constructed in Aeolian mode that initially expose sopranos and altos. This theme and its evolutions suggest musically the reflection of the lights of the lighthouse and of the moon on the surface of the sea; as a counterpoint the astonishment of the ocean is recreated for tenor and bass.
The second section (Furioso) is elaborated from the cadential material of the first and represents the anger of the sea. The third section (Misterioso) offers two themes; one musically plasma the design of the waves that, furious, the ocean throws to reach the embrace of the lovers; the other emerges serenely in the night and rises towards the night sky representing the serene solidity of the union of Faro and Luna; this section concludes with a painful climax, expression of the inability of the ocean to achieve its purpose.
The beginning of the fourth section (Brumoso) reexposes the material of the first, to which the second topic of the third section is added; both themes merge into the coda and the composition ends on an unstable chord of fourths over the tonic of the eolian mode, expression of the eternal return of the loves of Faro (Lighthouse) and Luna (the Moon).
O Faro e a Lúa for mixed choir, with lyric by Yolanda Castaño and music by Juan Pérez Berná, is inspired by a painting by Urbano Lugrís. The poetry of Yolanda Castaño and the music of Juan Pérez Berná recreate the nocturnal dreamlike atmosphere of the pictorial vision of Lugrís.
The Lighthouse of A Coruña, the Tower of Hercules, wants to reach its beloved Moon with its light. Its sparkles are reflected on the surface of the sea, and the Atlantic, jealous, throws its waves with force to reach the blue kiss in which the two luminous lovers merge each night. But his efforts are unsuccessful and, resigned, he assists the romance of the Lighthouse and the Moon.
This idea is developed musically in O Faro e a Lúa, through an ABCA“ reexpositive structure. The first section (Brumoso) is elaborated contrapuntistically from the theme constructed in Aeolian mode that initially expose sopranos and altos. This theme and its evolutions suggest musically the reflection of the lights of the lighthouse and of the moon on the surface of the sea; as a counterpoint the astonishment of the ocean is recreated for tenor and bass.
The second section (Furioso) is elaborated from the cadential material of the first and represents the anger of the sea. The third section (Misterioso) offers two themes; one musically plasma the design of the waves that, furious, the ocean throws to reach the embrace of the lovers; the other emerges serenely in the night and rises towards the night sky representing the serene solidity of the union of Faro and Luna; this section concludes with a painful climax, expression of the inability of the ocean to achieve its purpose.
The beginning of the fourth section (Brumoso) reexposes the material of the first, to which the second topic of the third section is added; both themes merge into the coda and the composition ends on an unstable chord of fourths over the tonic of the eolian mode, expression of the eternal return of the loves of Faro (Lighthouse) and Luna (the Moon).
Audio sample : (3679 kb.) download
Score sample : (629 kb.) download
Text sample : (500 kb.) download
[33]Un miragre para don Afonso
sobre melodía e texto de CSM 209
(2018)
mezzo., c.ingl., pno.
Arrangement : Trio
Premiere :
https://www.youtube.com/watch?v=Q0aU2bEgPeI
https://www.youtube.com/watch?v=Q0aU2bEgPeI
[32]O Faro e a Lúa (para mezzo, corno inglés e piano)
sobre texto de Yolanda Castaño
(2018/ 2020)
mezzo., c.ingl., pno.
Arrangement : Trio
[31]As Lúas (Las Lunas / The Moons)
para orquesta
(2017)
Arrangement : Symphony orchestra
Premiere : Orquesta del Conservatorio de Elche (Alicante), Pedro Pérez Berná (director)
https://www.youtube.com/watch?v=VWkIDwiGz_s&feature=youtu.be
https://www.youtube.com/watch?v=VWkIDwiGz_s&feature=youtu.be
[29]As Lúas (Las Lunas / The Moons)
(2015)
13’
20”
Movements : A Lúa no camposanto de Dexo
A Lúa e o Lobishome de Meirás
A Lúa no mar de Sada
A Lúa e o Lobishome de Meirás
A Lúa no mar de Sada
Arrangement : Band
Editorial : FGBMP, Xunta de Galicia 2016, Comunity Commons
Premiere :
https://www.youtube.com/watch?v=wstaDzRUCBw
https://www.youtube.com/watch?v=5YtkH9R3kRk&feature=youtu.be
https://www.youtube.com/watch?v=giE2_hLOJ_E
https://www.youtube.com/watch?v=wstaDzRUCBw
https://www.youtube.com/watch?v=5YtkH9R3kRk&feature=youtu.be
https://www.youtube.com/watch?v=giE2_hLOJ_E
Comments : "As Lúas" for symphonic band, First Prize (second section) of the VIII National Composition Competition of the Galician Federation of Music Bands (2015).
World premiere by the Professional Music Conservatory of A Coruña Symphonic Band, Julio Cabo (conductor), March 17, 2016, Palacio da Ópera, A Coruña (Spain). It was a compulsory work in the X Music Bands Contest of the Galician Federation of Music Bands held in Santiago de Compostela on November 27, 2016. This work is dedicated to the father of the composer Pedro Pérez Berná, and has three movements:
I. A Lúa no cemetery of Dexo (The moon in the cemetery of Dexo)
II. A Lúa e o lobishome de Meirás (The moon and the werewolf of Meirás)
III A Lúa no mar de sada (The moon in the sea of Sada)
World premiere by the Professional Music Conservatory of A Coruña Symphonic Band, Julio Cabo (conductor), March 17, 2016, Palacio da Ópera, A Coruña (Spain). It was a compulsory work in the X Music Bands Contest of the Galician Federation of Music Bands held in Santiago de Compostela on November 27, 2016. This work is dedicated to the father of the composer Pedro Pérez Berná, and has three movements:
I. A Lúa no cemetery of Dexo (The moon in the cemetery of Dexo)
II. A Lúa e o lobishome de Meirás (The moon and the werewolf of Meirás)
III A Lúa no mar de sada (The moon in the sea of Sada)
Score sample : (7254 kb.) download
[28]Electrosuite
(2015)
9’
30”
c.ingl., pno.
Movements : La Lavadora de Aurora / Aurora's Washer
La Nevera Mística / The Mystical Refrigerator
La Aspiradora Soñadora / The Dreaming Vacuum Cleaner
La Nevera Mística / The Mystical Refrigerator
La Aspiradora Soñadora / The Dreaming Vacuum Cleaner
Arrangement : Duet
Editorial : Grupo Beroly
Premiere : Juan Pérez Berná (corno inglés), Margarita Viso (piano)
https://www.youtube.com/watch?v=cW2nJG5WNSE
https://www.youtube.com/watch?v=cW2nJG5WNSE
[27]Aninovo
sobre melodía tradicional galega
(2015)
2’
90”
Arrangement : Voices and orchestra
Premiere : Orquesta Juvenil del Conservatorio Profesional de Música de A Coruña, David Veiga (conductor), 20 de diciembre de 2016 en Auditorio del Conservatorio Profesional de Música de A Coruña.
[26]Hacia Belén va una burra
villancico tradicional
(2015)
Arrangement : Mixed choir
Premiere : Coral Polifónica Sporting Club Casino de A Coruña, Juan Pérez Berná (conductor), 19th december 2015, Iglesia de la Venerable Orden Tercera, A Coruña
https://www.youtube.com/watch?v=cV179t1geiA&t=10s
https://www.youtube.com/watch?v=cV179t1geiA&t=10s
[25]En el Aniversario
con motivo del 125 aniversario de Sporting Club Casino de a Coruña
(2015)
2’
20”
Arrangement : Mixed choir
Score sample : (302 kb.) download
[24]A Illa das Lembranzas / La isla de los Recuerdos
para obe y piano
(2013)
2’
30”
ob., pno.
Movements : Grave / Piu Tempo / Senza Rigore / Grave
Arrangement : Duet
Editorial : Xunta de Galicia
Premiere : Vídeo
https://www.youtube.com/watch?v=3vslGfB-apQ
https://www.youtube.com/watch?v=3vslGfB-apQ
Comments : Composition inspired by the poem “Eu sing, sing, and cantei“ by the Galician writer Rosalia de Castro (XIX century), and dedicated to Juan Carlos Báguena, professor of oboe at the Royal Conservatory of Music in Madrid.
Audio sample : (1089 kb.) download
Score sample : (400 kb.) download
[23]Tres Cantigas Sabias para arpa
sobre melodías de Alfonso X 'El Sabio'
(2013)
harp
Movements : As dúas malqueridas sobre CSM 68
Pranto por don Afonso sobre CSM 209
A vella e a ovella sobre CSM 147
Pranto por don Afonso sobre CSM 209
A vella e a ovella sobre CSM 147
Arrangement : Soloist instrument
Editorial : Xunta de Galicia
Audio sample : (2008 kb.) download
Score sample : (74 kb.) download
[22]El Concierto de los Delfines
sobre el texto de María José Lozano
(2013)
10’
30”
2 trpta., trpa., tbn., tba., narratore
Arrangement : Brass quintet
Premiere : https://www.youtube.com/watch?v=Cu9IHx3xbLs
[21]Celosías
(2013)
9’
fl., cl.sib, vl., vla., vlc., arp.
Movements : De plata y nácar
De ébano y oro
De oro y plata, ébano y nácar
De ébano y oro
De oro y plata, ébano y nácar
Arrangement : Ensamble
Premiere : Premier: December 1, 2013, in the Museum of Fine arts of Corunna, Ensemble 'Belle
Epoque': César Concheiro (flute), María fraile (clarinet), Irantzu Agirre (harp), Isabel
Sanjuán (violin), Isabel Arregui (viola), Juancho Almarza (cello).
Audio de Celosía 2
Epoque': César Concheiro (flute), María fraile (clarinet), Irantzu Agirre (harp), Isabel
Sanjuán (violin), Isabel Arregui (viola), Juancho Almarza (cello).
Audio de Celosía 2
Score sample : (522 kb.) download
[20]A Costa dos Indios Tónicos / La Costa de los Indios Tónicos
para oboe y piano
(2012)
2’
30”
ob., pno.
Movements : Tranquilo / Moderato
Arrangement : Duet
Editorial : Xunta de Galicia
Premiere : https://www.youtube.com/watch?v=2VZjXk8pdok
Comments : Dedicated to Dorin Gliga, oboist of the National Radio Orchestra of Romania and international soloist. Included in the collection “Recursos Musicais para os Conservatorios“ (Xunta de Galicia, 2014).
Audio sample : (1071 kb.) download
Score sample : (805 kb.) download
[19]Durme meu Neno para voz e piano
panxoliña para voz e piano
(2012)
3’
sopr. o ten., pno.
Movements : Tranquilo
Arrangement : Duet
Editorial : Consello Galego da Cultura
Premiere : https://www.youtube.com/watch?v=Nhcb5OyrHq4
Comments : Dedicada a mi sobrino Pedro Alonso.
Letra de Esther López Castro.
Incluida na publicación “Dezaseis cancións para voz e piano“ (Consello da Cultura Galega, 2012).
Estrea a cargo de Iria Cuevas (mezzosoprano) e Alejo Amoedo (piano), 15 de decembro de 2012, Salón de actos da Escola de Artes Escénicas de Ourense.
Letra de Esther López Castro.
Incluida na publicación “Dezaseis cancións para voz e piano“ (Consello da Cultura Galega, 2012).
Estrea a cargo de Iria Cuevas (mezzosoprano) e Alejo Amoedo (piano), 15 de decembro de 2012, Salón de actos da Escola de Artes Escénicas de Ourense.
Score sample : (263 kb.) download
[18]Diferencias para oboe y piano
para oboe y piano
(2012)
ob., pno.
Movements : Andante
Arrangement : Duet
Editorial : Xunta de Galicia
Premiere : https://www.youtube.com/watch?v=7oac1hdkYKI
Score sample : (359 kb.) download
[17]Diferencias para clarinete y piano
(2012)
cl.sib, pno.
Arrangement : Duet
Score sample : (351 kb.) download
[16]A la nanita, nana
villancico tradicional
(2012)
Arrangement : Mixed choir
Premiere :
https://www.youtube.com/watch?v=KtCf5inCFAw&feature=youtu.be
https://www.youtube.com/watch?v=KtCf5inCFAw&feature=youtu.be
Score sample : (295 kb.) download
[15]Durme meu Neno
panxoliña para coro mixto
(2011)
3’
choir
Arrangement : Mixed choir
Premiere : https://www.youtube.com/watch?v=pr66M8dNESI
Comments : Dedicado a mi sobrino Pedro Alonso.
Letra de Esther López Castro.
Estrenado pola Coral Polifónica Sporting Club Casino de a Coruña no Palacio da Ópera de A Coruña en decembro de 2011, baixo a dirección do compositor Juan Pérez Berná.
Letra de Esther López Castro.
Estrenado pola Coral Polifónica Sporting Club Casino de a Coruña no Palacio da Ópera de A Coruña en decembro de 2011, baixo a dirección do compositor Juan Pérez Berná.
[14]Regina Coeli / Reina del Cielo
(2011)
1’
50”
choir
Arrangement : Mixed choir
Premiere : Coral Polifónica Sporting Club Casino de A Coruña, Easter Sunday, 2011, A Coruña.
https://www.youtube.com/watch?v=7QTSjhiuxQQ
https://www.youtube.com/watch?v=7QTSjhiuxQQ
Comments : Angelus for Easter Sunday
Score sample : (63 kb.) download
[13]Has de cantar
sobre texto de Rosalía de Castro
(2010)
2R’
30”
Arrangement : Mixed choir
Score sample : (334 kb.) download
[12]Celosías Móviles
(2009)
2 ó 4 harps
Arrangement : Quartet
Editorial : Xunta de Galicia
Score sample : (2274 kb.) download
[11]A imprudente Travesía de Isabel de Barreto
poema sinfónico / ballet
(2009)
18’
10”
Movements : A procesión descendía dende a Catedral con gran pompa, o xeneral e a súa dona precedidos de frailes.
Malope e as súas xentes
Os descontentos
Asasinato
A erupción e o eclipse
Rumbo ao Norte polo Ecuador
A boa xente de Manila e a transfiguración de dona Isabel
Os cánticos cesaron preto do peirao onde os nosos músicos atacaron vivamente pífanos e tambores.
E bandas rivais de músicos tocaban nos barcos e no peirao.
Alzose o estandarte real e o deán bendixo ao San Gerónimo.
O capitán de artillería ordenou que falcones e falconetas iniciaran as salvas que foron respondidas dende outras naves e dende o peirao con grande alborozo.
A travesía.
Cantiga de saudade
En alta mar
A baía Graciosa
Malope e as súas xentes
Os descontentos
Asasinato
A erupción e o eclipse
Rumbo ao Norte polo Ecuador
A boa xente de Manila e a transfiguración de dona Isabel
Os cánticos cesaron preto do peirao onde os nosos músicos atacaron vivamente pífanos e tambores.
E bandas rivais de músicos tocaban nos barcos e no peirao.
Alzose o estandarte real e o deán bendixo ao San Gerónimo.
O capitán de artillería ordenou que falcones e falconetas iniciaran as salvas que foron respondidas dende outras naves e dende o peirao con grande alborozo.
A travesía.
Cantiga de saudade
En alta mar
A baía Graciosa
Arrangement : Band
Premiere : Auditorio Municipal de Vilagarcía de Arousa (Pontevedra), 25th september 2010
BANDA ARTÍSTICA DE MERZA (Pontevedra) José Rodríguez Ramos (conductor)
BANDA ARTÍSTICA DE MERZA (Pontevedra) José Rodríguez Ramos (conductor)
Comments : This compositon is inspired on “The Isles of Unwisdom“Las Islas de la Imprudencia“ by Robert Graves
Parte I La partida desde El Callao
1. la procesión descendía desde la Catedral con gran pompa. Don Álvaro y doña Isabel.
2. Los cánticos cesaron cerca del puerto y los músicos atacaron vivamente pífanos y tambores.
3. Y bandas rivales de músicos de músicos tocaban en los barcos y en el muelle.
4. Se alzó el estandarte y el deán bendijo al San Gerónimo.
5. El capitán de artillería ordenó que falcones e falconetas iniciaran salvas que fueron respondidas desde otras naves con grande alborozo.
Parte II La travesía
6. Travesía.
7. Cantiga de saudade.
8. En alta mar.
Parte III Las Islas
9. Bahía Graciosa
10. Malope y sus gentes
11. Los descontentos
12. Asesinato
13. la erupción y el eclipse
14. Rumbo al Norte por el Ecuador
15.La buena gente de Manila y transfiguración de Isabel de Barreto.
Parte I La partida desde El Callao
1. la procesión descendía desde la Catedral con gran pompa. Don Álvaro y doña Isabel.
2. Los cánticos cesaron cerca del puerto y los músicos atacaron vivamente pífanos y tambores.
3. Y bandas rivales de músicos de músicos tocaban en los barcos y en el muelle.
4. Se alzó el estandarte y el deán bendijo al San Gerónimo.
5. El capitán de artillería ordenó que falcones e falconetas iniciaran salvas que fueron respondidas desde otras naves con grande alborozo.
Parte II La travesía
6. Travesía.
7. Cantiga de saudade.
8. En alta mar.
Parte III Las Islas
9. Bahía Graciosa
10. Malope y sus gentes
11. Los descontentos
12. Asesinato
13. la erupción y el eclipse
14. Rumbo al Norte por el Ecuador
15.La buena gente de Manila y transfiguración de Isabel de Barreto.
[10]Romance de la Luna y el Viento
sobre texto de María Martínez 'Marita'
(2008)
sopr., c.ingl., pno.
Arrangement : Trio
Premiere :
https://www.youtube.com/watch?v=RxsHlEAMrwA
https://www.youtube.com/watch?v=RxsHlEAMrwA
[09]Elegía nocturna
Plegaria
(2008)
harp
Arrangement : Soloist instrument
Editorial : Xunta de Galicia
Audio sample : (2934 kb.) download
Score sample : (360 kb.) download
[08]Romance de la Luna y el Viento
Fantasía
(2008)
harp
Arrangement : Soloist instrument
Score sample : (221 kb.) download
[07]Tonada dos afectos
(2008)
guitar
Arrangement : Soloist instrument
Editorial : Xunta de Galicia
Score sample : (49 kb.) download
[06]Tocata de Navidad
(2008)
8’
43”
piano
Movements : Salve de Difuntos
Aguinaldo
Aguinaldo
Arrangement : Soloist instrument
Premiere : Javier Vázquez Grela (piano), 28, october, 2008
Utrech (Holanda).
Utrech (Holanda).
Audio sample : (4096 kb.) download
Score sample : (367 kb.) download
[05]Tres Cantigas Sabias para guitarra
sobre melodías de Alfonso X 'El Sabio'
(2007)
guitar
Movements : As dúas malqueridas sobre CSM 68
Prento por don Afonso sobre CSM 209
A vella e a ovella sobre CSM 147
Prento por don Afonso sobre CSM 209
A vella e a ovella sobre CSM 147
Arrangement : Soloist instrument
Editorial : Xunta de Galicia
Audio sample : (2501 kb.) download
Score sample : (79 kb.) download
[04]Villancico Extrafino (para solistas, coro y orquesta de cámara)
sobre texto de Miguel Hernández
(2005)
24’
20”
sopr., ten., barit., coro, 2 fl., 2 ob., 2 cl.sib, 2 fg., 2 trpa., arp., pno., 10 vl., 4 vla., 4 vlc., 2 cb.
Movements : El Camino de Belén
El Nacimiento
Los Tres Reyes
Los pastores y el tartamudo
El Nacimiento
Los Tres Reyes
Los pastores y el tartamudo
Arrangement : Voices and orchestra
Editorial : Dos Acordes, 2009
Premiere : Score and parts music for sale in
https://www.dosacordes.es/web/producto/ars-gallaeciae-musicae-villancico-extrafino-retablo-escanico/
https://www.dosacordes.es/web/producto/ars-gallaeciae-musicae-villancico-extrafino-retablo-escanico/
Comments : Miguel Hernández wrote “Villancico Extrafino” just before starting his stage works, but it remained unpublished until its publication in the second volume of the complete works of this author. The four poems that make up this short cycle are introduced with scenic dimensions, more symbolic than real, and each one of them recreates a scene from the Christmas cycle. The orchestration of “Villancico Extrafino” obeys cumulative guidelines that allow it to be performed by four different formations:
choir, vocal soloists and orchestra,
choir, soloists, cello and piano,
mezzo-soprano and orchestra (eliminating the first movement),
mezzo-soprano, cello and piano (eliminating the first movement).
The two versions without a chorus can be performed under the title “Three Extra Fine Christmas Carols“. The parts that allow the performance of both the orchestral and chamber versions are contained on the CD that accompanies this paper edition.
choir, vocal soloists and orchestra,
choir, soloists, cello and piano,
mezzo-soprano and orchestra (eliminating the first movement),
mezzo-soprano, cello and piano (eliminating the first movement).
The two versions without a chorus can be performed under the title “Three Extra Fine Christmas Carols“. The parts that allow the performance of both the orchestral and chamber versions are contained on the CD that accompanies this paper edition.
Score sample : (4927 kb.) download
Text sample : (1776 kb.) download
[03]Tres Villancicos Extrafinos (versión de cámara)
sobre texto de Miguel Hernández
(2005/2018)
mezzo., c.ingl., pno.
Arrangement : Trio
Premiere :
Score sample : (3403 kb.) download
[02]Villancico Extrafino (versión de cámara)
sobre texto de Miguel Hernández
(2005)
24’
20”
sopr., ten., barit., vlc., coro, pno.
Movements : El Camino de Belén
El Nacimiento
Los Tres Reyes
Los pastores y el tartamudo
El Nacimiento
Los Tres Reyes
Los pastores y el tartamudo
Arrangement : Ensamble (voice(s) and instruments)
Editorial : Dos Acordes, 2009
Premiere : Score and parts music for sale in
https://www.dosacordes.es/web/producto/ars-gallaeciae-musicae-villancico-extrafino-retablo-escanico/
Vídeo Villancico nº 2 El Nacimiento
https://youtu.be/D-GXJunk5v8
Vídeo Villancico nº 4 Los pastores y el tartamudo
https://youtu.be/7wjTEyu_8VU
https://www.dosacordes.es/web/producto/ars-gallaeciae-musicae-villancico-extrafino-retablo-escanico/
Vídeo Villancico nº 2 El Nacimiento
https://youtu.be/D-GXJunk5v8
Vídeo Villancico nº 4 Los pastores y el tartamudo
https://youtu.be/7wjTEyu_8VU
Comments : Miguel Hernández wrote “Villancico Extrafino” just before starting his stage works, but it remained unpublished until its publication in the second volume of the complete works of this author. The four poems that make up this short cycle are introduced with scenic dimensions, more symbolic than real, and each one of them recreates a scene from the Christmas cycle. The orchestration of “Villancico Extrafino” obeys cumulative guidelines that allow it to be performed by four different formations:
choir, vocal soloists and orchestra,
choir, soloists, cello and piano,
mezzo-soprano and orchestra (eliminating the first movement),
mezzo-soprano, cello and piano (eliminating the first movement).
The two versions without a chorus can be performed under the title “Three Extra Fine Christmas Carols“. The parts that allow the performance of both the orchestral and chamber versions are contained on the CD that accompanies this paper edition.
choir, vocal soloists and orchestra,
choir, soloists, cello and piano,
mezzo-soprano and orchestra (eliminating the first movement),
mezzo-soprano, cello and piano (eliminating the first movement).
The two versions without a chorus can be performed under the title “Three Extra Fine Christmas Carols“. The parts that allow the performance of both the orchestral and chamber versions are contained on the CD that accompanies this paper edition.
Score sample : (4376 kb.) download
[01]Has de cantar
sobre texto de Rosalía de Castro
(2003/2018)
sopr. o ten., ob., pno.
Arrangement : Trio
Premiere :
https://www.youtube.com/watch?v=-MzHjswTCwk
https://www.youtube.com/watch?v=-MzHjswTCwk